Learning Collective Worldmaking (LCW)

collaborating researcher

Natalie Loveless

Professor, History of Art, Design, and Visual Culture
University of Alberta

Natalie Loveless (loveless.ca) is Professor of Contemporary Art and Theory in the Department of Art & Design, and Associate Dean, Equity, Diversity, and Inclusion at the University of Alberta (ᐊᒥᐢᑿᒌᐚᐢᑲᐦᐃᑲᐣ / Amiskwacîwâskahikan, Treaty Six territory and Métis Region 4), where she directs the Research-Creation and Social Justice CoLABoratory and co-leads the Faculty of Arts’ Signature Area in Research-Creation.

She is a fellow of the Royal Society of Canada (College of New Scholars, Artists, and Scientists), the author of How to Make Art at the End of the World: A Manifesto for Research-Creation (Duke UP 2019), editor of Knowings and Knots: Methodologies and Ecologies in Research-Creation (University of Alberta Press 2019), co-editor of Responding to Site: The Performance Work of Marilyn Arsem (Intellect Press 2020), and the forthcoming Routledge Companion to Performance Art.
Learning Collective Worldmaking

Unama’ki espi-kina’matno’kuom etek Mi’kma’ki, wla na no’kamanaq aq maqamikewminu mena’qiknmuetuk.

Cape Breton University is located in Mi’kma’ki, the ancestral and unceded territory of the Mi’kmaw People.

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